How to Read Film Compare and Contrast
Most filmmakers create movies to provoke and inspire their audiences. But the public doesn't always respond well to provocation, especially if a motion picture pushes too many boundaries.
Some films on this list are celebrated with several awards for challenging societal norms. Others are direct-upward propaganda or blacklisted from viewing for inciting impairment towards others. Trust us; this list is not prophylactic for work, and many of these films shouldn't exist on your "must scout" list. If you're up for a challenge, check out the nigh controversial movies of all time.
The Birth of a Nation (1915)
The Birth of a Nation is an case of inflammatory revisionist movie theatre. D.Due west. Griffith ready out to make a 190-infinitesimal Civil War epic that celebrated the Ku Klux Klan for their "heroism." The NAACP and other groups tried to ban the film, calling it a racist display of propaganda.
The moving-picture show revitalized the Ku Klux Klan's national presence, but public cries against racism were louder. Audiences went to screenings to throw eggs at the moving-picture show, and threats against ambulation the silent film in theaters continue to this day.
In 1931, Tod Browning was 1 of the almost powerful filmmakers in show business thanks to the global success of his film, Dracula. Subsequently over a decade of making films, he was finally able to bring his passion projection to life — an exploitative motion-picture show about unloved carnival people.
Many of the cast members were actual carnival sideshow performers, much to MGM'southward dismay. The film was cutting down to 64 minutes before its official release afterward infamous test screenings left viewers horrified. The film was a box-office failure, and Browning's career never recovered.
Triumph of the Will (1935)
There were many documentaries about Nazi rallies during Hitler's reign, but Leni Riefenstahl's stood out amidst the rest. Riefenstahl (who swore until her decease that she wasn't a Nazi) made arguably the well-nigh aesthetically powerful Nazi propaganda film of all time.
Innovative filmmaking was still a new concept, but Riefenstahl used techniques like aerial photography and long lenses to dilate Hitler'due south message. It may exist aesthetically and technically masterful, but it'southward ultimately an unsettling, hateful picture show that is nevertheless banned in Germany.
Song of the South (1946)
A wholesome musical by Disney about plantation life in the Old Due south — what could go wrong? A lot, mainly because it glorified the master-slave relationship when that clearly wasn't reality. And the racist stereotyping of former slave Uncle Remus was what upset the NAACP the nearly.
The combination of live-action and animation for the "Nix-a-Dee-Doo-Dah" musical number was technically impressive, but its happy-become-lucky message was unsettling at all-time. Hollywood didn't seem to mind. The song won an Academy Award, and James Baskett, the man who played Uncle Remus, won his own honorary Oscar.
Peeping Tom (1960)
A little time, say two decades, tin really change our commonage opinion of a motion picture. Take Peeping Tom, for instance. The horror film about a studio cameraman with a knack for murder destroyed filmmaker Michael Powell's career when it was released in theaters.
Critics cried that the film was filled with too much voyeurism, child corruption and foul murder scenes. Some critics fifty-fifty claimed the movie had a "nasty stench to information technology." Almost ii decades later on, filmmakers like Martin Scorsese re-examined the motion-picture show, and its reputation was rehabilitated.
A Clockwork Orange (1971)
Of all of Stanley Kubrick'due south films, A Clockwork Orangish was his well-nigh controversial. The film was a turning point in the portrayal of violence and sexual assault in British moving-picture show. Viewers followed Alex DeLarge in a dystopian future through a series of crimes, each one more terrifying than the last.
The United Kingdom was specially furious with the picture. Protestors and politicians denounced its release and accused it of being fascistic. Kubrick eventually caved, pulling the moving picture from the UK in 1973. It wasn't allowed to air in the land over again until 1999.
Final Tango in Paris (1972)
Film greats similar director Bernardo Bertolucci and thespian Marlon Brando couldn't save this film from controversy. While it performed well in France, other countries required the picture to be recut to reduce its frequent clips of extreme sexual violence.
Last Tango in Paris was banned in Spain, Republic of chile and Bertolucci's native Italian republic, while receiving an X rating in the United States. Maria Schneider, the picture show's female atomic number 82, was but nineteen during filming. She later claimed the experience of making the movie ruined her life.
Pink Flamingos (1972)
They don't phone call filmmaker John Waters "The Duke of Clay" for nada. Throughout Waters' career, Pinkish Flamingos has unquestionably remained his most taboo offering. The film follows the drag queen Divine as Babs Johnson through a series of intentionally awful scenes.
Waters left no filthy rock unturned by including scenes with bestiality, incest, cannibalism and dining experiences all-time left off the card. When Johnson competes to be the "Filthiest Person Alive" at the motion-picture show'south climactic stop, Waters cemented his place every bit a controversial connoisseur.
Caligula (1979)
This nearly 3-60 minutes-long opus well-nigh the mad Roman emperor Caligula was intended to be a loftier-fine art masterpiece. The original screenplay came from American intellectual Gore Vidal, and the cast included legends like Peter O'Toole, Helen Mirren and Malcolm McDowell.
However, the pic went through several rewrites and reshoots at the request of the producer, Penthouse founder Bob Guccione. It turned into a sleazy, baroque menstruum motion picture filled with scenes with graphic sex, incest and hardcore violence. Critics dismissed the epic every bit "worthless fantasy trash."
Cruising (1980)
William Friedkin wrote and directed Cruising, a dark thriller about a serial killer targeting gay men in New York City's leather-clad Meatpacking Commune. The extras were actual patrons of the gay bars, only trivial did they know the motion-picture show would exist so exploitative.
Gay rights groups — some that first organized because of the flick — argued the movie depicted gay men equally seedy, murder-obsessed degenerates. The picture went through all-encompassing cuts, losing 40 minutes of footage, and went from an X-rated to an R-rated film to appease protestors.
Twilight Zone: The Movie (1983)
The Twilight Zone movie was a collection of reshot stories originally featured on episodes of the popular TV show. The original show was campy at times, only director John Landis and producer Steven Spielberg set out to award the show with scarier reshoots.
The movie's major controversy happened during filming. While on a shoot in Vietnam, a helicopter crashed, decapitating 2 actors and collapsing on another. Of the three actors killed, two of them were children working past curfew. News of the accident preceded the motion-picture show'south release, specially considering the story with the helicopter remained in the film.
Aladdin (1992)
Disney finds itself on the list again, only this time for one of its animated musicals. The film particularly upset the American-Arab Anti-Discrimination Committee, who argued the moving picture perpetuated racist stereotypes. The pro-Western, outdated cultural depictions were especially noticeable in song.
In its opening song "Arabian Nights," the narrator described the Arab world with lyrics including, "Where they cutting off your ears if they don't similar your face. It'southward barbaric, but hey, information technology'south domicile." Disney has since changed the lyrics for the motion picture's re-release, but the controversial depictions of Arab stereotypes remain.
Kids (1995)
Long before HBO's Euphoria depicted teenagers as sex-crazed drug addicts was Larry Clark's Kids. The film was like an afterwards-school special with an NC-17 rating from the MPAA. Kids showed teenagers in a dark and gripping reality where high-risk behavior was commonplace.
The picture show also portrays teenage life at the height of the HIV/AIDS crisis, with many of its leads unknowingly transmitting the virus to each other. It's a difficult watch from the very beginning, when a 17-twelvemonth-one-time boy convinces a 12-yr-old girl to allow him have her virginity.
The Virgin Suicides (1999)
In Sophia Coppola's directorial debut, she tells author Jeffrey Eugenides' melancholy tale of 5 sisters who have their ain lives from the perspective of their admirers. It's a coming-of-age piece that celebrates young desire, merely the nature of the girls' suicide pact struck a controversial chord.
The film never quite answers why the girls took their own lives, but while they were alive, they're praised by the boys for existence mysterious muses. Did it romanticize teenage suicide? Possibly. Nowadays, shows similar 13 Reasons Why that feature teenage suicide are oftentimes criticized, and so it's curious to expect back on this heartbreaking motion-picture show.
South Park: Bigger, Longer & Uncut (1999)
Trey Parker and Matt Stone's South Park movie was an animated musical that somehow packed almost 400 expletive words into 81 minutes. Stan, Kyle, Cartman and Kenny took viewers on an adventure total of racial slurs, violence and cartoon nudity. It obviously didn't sit down well with the parents of the show's younger fans.
The feature was a meta-commentary on censorship in filmmaking, and Parker and Rock went to extreme lengths to evidence their point. The pic that featured Saddam Hussein in a romantic relationship with Satan fifty-fifty scored an University Award nomination in 2000 for All-time Original Song.
American Psycho (2000)
What happens when a human being is driven by success and credence from his peers? A psychological thriller that critics either appreciated or dismissed for its ultra-violent scenes. Were the scenes actually happening, or were they only visions in Patrick Bateman's vivid imagination?
Either way, the scenes were chilling to watch, with one murder later on some other becoming more spooky than the last. Fifty-fifty Bret Easton Ellis, the volume's author, believed the film didn't need to be made, as movies crave answers, and he liked to keep people guessing.
Requiem for a Dream (2000)
Darren Aronofsky's ode to addiction was a horrifying thriller that had to be released unrated to include all of its scenes. Each graphic symbol went to farthermost lengths to feed their addictions, be they fame, weight loss or heroin.
In the film'due south well-nigh controversial scene, Jennifer Connelly's Marion Silvery surrenders herself to prostitution in order to pay for her habit. Aronofsky refused to remove the scene from his film to appease the censors' request.
Irreversible (2002)
When Gaspar Noé'southward French thriller get-go hit theaters, it was commonplace to see people leave the theater before the film ended. The movie was told backward, with each scene playing in opposite society, just one scene stood out to be the most obscene.
In 1 of the movie'southward longest scenes, Monica Bellucci's Alexandra is brutally sexually attacked below a Parisian underpass. Her aggressor abuses her and mutilates her torso in the terrifying scene beneath the red glow of the underpass. His filmmaking was unique, only his story was deemed too vicious for many.
The Dreamers (2003)
This ode to classic French movie theater and sexual discovery quickly turned into an incestuous psychological thriller. When Matthew, an American substitution student, goes to Paris to study moving-picture show in 1968, he meets Isabell and Theo, twins who are too close for comfort.
With the twins' parents away for the summertime, their house becomes a breeding basis for the 3 characters to go into uncomfortable sexual situations. The film was given an NC-17 rating and but was released to a limited number of theaters.
Fahrenheit nine/11 (2004)
Fahrenheit 9/11 was perhaps the most controversial of Michael Moore'south documentaries. The film was a scorching critique of the Republic of iraq War and George W. Bush-league's presidency. Information technology includes graphic war visuals — and Bush's continued reading of a children'due south book later the first aeroplane crashed into the World Trade Centre.
The picture, while becoming the highest-grossing documentary to hit theaters, drew loftier criticism for its claims. The erstwhile mayor of New York Metropolis, Ed Koch, was one of the pic'south most vocal critics and chosen the film propaganda.
The Passion of the Christ (2004)
Mel Gibson'southward violent retelling of the crucifixion of Jesus Christ is one of the highest-grossing R-rated films of all time. The film's loudest critiques came from the Anti-Defamation League, which claimed the pic was anti-Semitic for its portrayal of Jews.
The x-minute crucifixion sequence was particularly bloody and vicious. Gibson later admitted the original texts don't item the graphic nature of Jesus' death, but he portrayed it that fashion to show the magnitude of Jesus' sacrifice.
Shortbus (2006)
Shortbus is a film well-nigh a grouping of New Yorkers on a quest for self-discovery in a mail service-September eleven earth. The one thing they all had in common was their focus on sexual fulfillment to find themselves, and viewers saw all their encounters.
It was the most sexually graphic film to testify at the Cannes Motion picture Festival and the Toronto International Film Festival. The film made certain the scenes weren't pornographic, but information technology still depicted several group and individual sexual exploits, generally hosted at an underground sex salon in Brooklyn.
United 93 (2006)
United 93 is a chilling reenactment of the events that took place on United's Flight 93, the fourth hijacked aeroplane on September 11, 2001. Some of the FAA ground crew and military personnel involved in the bodily event were included as cast members to add to the realism of the flick.
This honest portrayal earned respect for keeping fake personal narratives out of the film, but by and large it was panned for getting made only five years after the attack. Universal Pictures received the brunt of the criticism for appearing to exploit a national tragedy.
Antichrist (2009)
Danish film managing director Lars von Trier was not messing around in Antichrist. The opening scene shows a couple passionately making love in the shower while their unattended toddler jumps out of a window to its death. And then the movie starts.
The movie is brilliantly filmed by University Laurels-winning cinematographer Anthony Dod Pall, but its content is often hard to watch. The main characters have serious problem coping with their kid's death, and lots of closeups of trunk manipulation ensue.
The Man Centipede (2009)
If you haven't heard of the premise of this picture show, please expect it up on your own. Describing information technology to you would be a mouthful — disgusting pun intended. But it was precisely because the premise of this motion picture was then repulsive that information technology became a horror cult archetype.
The absurd idea of capturing people and and so "connecting them" caught on, equally shown by the film's ii sequels. In 1 sequel, a fan of the first film gets inspired to create a human being centipede of his own. It's meta-monstrosity at its worst.
Enter the Void (2009)
Gaspar Noé's 161-minute psychedelic melodrama challenged what the afterlife could wait like. It was a visually stunning movie from start to finish. Viewers followed Oscar'due south spirit as it floated over downtown Tokyo and relived harrowing scenes from his life before getting shot by police.
Yet, critics were mixed near the film'due south length and its mashup of philosophical contemplation with sexual and drug abuse. After a yr of cuts to shorten the film to 143 minutes, too much negative press surrounded the movie, making it a trippy box office failure.
A Serbian Film (2010)
1 of the most sexually explicit films on this listing was supposedly an allegory of corruption within the Serbian government. Srdjan Spasojevic fabricated his film debut equally the writer and director of the film, which was chop-chop banned in several countries upon its release.
The moving-picture show follows a strapped-for-greenbacks porn star who agrees to shoot one concluding flick to make coin for his wife and son. The filming of the flick gets more and more sexually deranged until most of the cast, including the drastic begetter, winds up dead.
Affective (2011)
Affective, the third in filmmaker Lars von Trier'southward Low trilogy, was an elegant accept on hopelessness at the end of the world. The movie had outstanding performances from Kirsten Dunst and Charlotte Gainsbourg, but von Trier got the picture in trouble.
Before premiering at the 2011 Cannes Film Festival, von Trier answered a journalist's question by joking about being a Nazi. His bizarre ramblings got him ejected from the festival, and the movie'southward status as a cinematic masterpiece was tarnished by his off-colour joke.
The Interview (2014)
As far as Seth Rogen and James Franco comedies go, The Interview doesn't delineate from their normal on-film hijinks. The only major divergence is James Franco's character develops a friendship with North Korean dictator Kim Jong-united nations.
The moving picture was far from controversial in comparison to other movies on this list, but no other film was met with such opposition. Sony Entertainment had to pull the motion picture from theaters subsequently facing a digital hack and threats of future terrorist attacks.
mother! (2017)
Aronofsky's mother! intentionally released a trailer that left much to the imagination. Fans and critics predictable another masterful tale from the filmmaker, but no one expected to picket the barbarous mutilation of a babe and extra Jennifer Lawrence.
According to Lawrence, the motion-picture show is an allegory that "depicts the rape and torment of Mother Earth." Some of the symbolism, similar Michelle Pfeiffer and Ed Harris as Adam and Eve, fabricated more obvious references to the Bible, but the finished product and its explosive climax left many viewers stunned.
Source: https://www.smarter.com/lifestyle/most-controversial-films-ever?utm_content=params%3Ao%3D740011%26ad%3DdirN%26qo%3DserpIndex
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